Showing posts with label ScoreVideos. Show all posts
Showing posts with label ScoreVideos. Show all posts

Thursday, May 5, 2011

5/5 Wrapping Up ScoreVideos

Here's the last of the ScoreVideo posts...this one covers everything not previously covered in piano sonatas, symphonies (in full score and in piano reductions) and chamber works. I'm going to try and keep these ScoreVideo playlists updated as long as I can (or at least for a few more weeks..?).

As this blog is as much a project for self-education as it is anything else, I've definitely gotten better at score-reading through following these videos, so I hope this has helped my readers as well...

Rondo Op. 51, No. 1 
Jenö Jandó, piano

Piano Works:
  • 12 Minuets (Jando)
  • Rondo a Capriccio Op.129 "Rage over a Lost Penny" (Jando)
  • Rondo in A (Jando)
  • Rondo Op.51 No1, 2 (Jando)
  • Andante Favori, WoO.57 (Jando)
  • Symphony 7, Piano Arr by Franz Liszt (Howard)
  • Bagatelle Op.33, No.1, 7 
  • Fur Elise
  • Diabelli Variations (Sokolov)
  • Ecossaise WoO.83 (Gyorgy)
  • Symphony 9, 4th Mvmt, Piano Arr by Franz Liszt (Katsaris) 
  • Fantasia Op. 77(Ciani)
  • Sonatina WoO.50 (Brautigam)
  • Bagatelle "Lustig - Traurig" WoO.54 (Cascioli)
  • Prelude WoO.55 (Cascioli)
  • Minuet WoO.82
  • Bagatelle Op.126, No.3 (Biss)
  • Kurfürstensonaten WoO.47 M1, M2
  • Bagatelle in F (Last work?)
  • Piano Concerto 1, Op.15
11 Piano Bagatelles, Op. 119 (Brendel)
6 Piano Bagatelles Op.126 (Brendel)
Eroica Variations for Piano (Kempff) Op.35 w Manuscript

Symphony 6 Op.68 (Boult) w Manuscript

Overtures in Full Score
  • Coriolan, Op.62
  • Egmont, Op.84
  • Leonore II, Op.72a
  • Wellington's Siege, Op.91
  • Choral Fantasia Op.80
  • King Stephen
  • Ruins of Athens

Thursday, April 28, 2011

4/28 Beethoven's Symphonies in Full ScoreVideos

OK, here are the Big Enchiladas, "The Nine".

Hardly any explanations are necessary, except watch these in "full screen" and on the biggest monitor possible ;).  However:
  • It's important to pay attention to the number of staff "lines" on the page, indicated by the brackets.  If all the instruments are playing then the whole page will just be one huge staff line and 1 huge bracket.  Usually though, especially in the early symphonies, there will be 2 staffs and brackets separated by a blank space or a "//" (if the strings are playing alone then there may be just 4 or 5 staffs bracketed in one line).
  • The 1st group at the top is the winds. In general the flauti (flutes) are at the top, followed by the other winds - oboi, clarinetti, fagotti (oboe, clarinet, bassoon).
  • The 2nd orchestral group is the brass/horns - corni, trombe (trumpets, horns).
  • The 3rd main "section": is the timpani or piano.  The timpani is usually an easy enough part that following the timpani can aid locating where the music is at.
  • 4th, the bottom 4-5 staffs are the strings - 2 violins, 1 viola, 1 cello and sometimes 1 bass.  Lots of times the basses and cellos are on the same line.  The strings are almost always going so those are a good place to keep one eye on.
  • It was pretty challenging following these score in book form and even now it's all too easy for me to get lost, but with a little practice these ScoreVideos should be very rewarding.  One helpful tip is to read through each movement twice.  The second time is always easier right after you've read it through the first time.
I know the above tips are woefully inadequate - I definitely recommend getting a real book!  Anyways at the least we have here a blog post with the greatest body of symphonic literature ever composed all in one entry.

These videos are all by YT-er 12clar3412clar34Bravo.

Symphony 1, 2 Full Score 


Symphony 3, 4 Full Score 


Symphony 5, 6 Full Score 


Symphony 7, 8 Full Score 


Symphony 9 Full Score
 

Wednesday, April 27, 2011

4/27 Chamber Music, Lieder ScoreVideos


Continuing my mini-series listing "ScoreVideos" (Youtube videos where the score is displayed as the music plays) we now get to the chamber works.  These include the complete cello sonatas, most of the best violin sonatas, some song lieder, complete string trios, etc...(Previously I listed the extant piano sonatas and symphonies with piano scores).

These have basically just one or two staffs more than the piano scores I've listed so far, so it shouldn't be too hard to follow these if the previous ScoreVideos are under one's belt.  In general the piano lines are on the 2nd and 3rd staffs (right and left hands respectively) and the violin, cello, or voice is on the first line. Have fun!  Remember - the scores are just for additional enjoyment.  Even without the visual scores, these are all masterpieces of beauty.  Click on the links below to be taken to the appropriate playlist.

(Some of these were featured on the blog before, like the cello sonatas and the string trios)

5 Cello Sonatas and 2 Sets of Variations (Brendel)

5 Violin Sonatas: No. 4, 5, 7, 9, 10 (Staier, Sepec, Kreisler, Rupp)
This set also includes 12 Variations in F for Violin and Piano on "Se vuol ballare" from Mozart's Le Nozze di Figaro, WoO.40 (1793):
Andreas Staier: pianoforte
Daniel Sepec: Beethoven's violin (!)



4 String Trios & Serenade Op.8 (Grumiaux, etc)

Lieder, Aria and Other Chamber Works:
  • Serenade Op. 41 for flute and piano
  • Resignation (Lieder, Fritz Wunderlich)
  • Der Kuß (Lieder)
  • Adelaide, Op. 46 (Lieder)
  • Ich Liebe Dich (Lieder)
  • Ah, Perfido, Op. 65 (Aria, Regine Crespin)
  • Six National Airs Op. 105
  • Piano Quartett in C, WoO 36/3 - III.Rondo
  • Messe in C major Op.86 - Credo
  • 3 Equali
  • Wind Trio Op. 87 (Piano Transcription)
  • Fugue for String Quintet Op. 137 in D (Piano Transcription)
  • String Quartet in E-flat Op. 127 (Mvmt 3 & 4)
  • String Quartet Op.74 "Harp" (Mvmt 3 & 4)
  • Unfinished Piano Cto 6 
  • Grosse Fugue (Talich)
  •  Elegie auf den Tod eines Pudels, WoO 110 (Schreier)
  •  Zärtliche Liebe, WoO 123 (Fischer-Dieskau, Demus)
  • Canon in 3 Voices, WoO 159 
  • An die Geliebte, WoO 140 
  • Piano Sonata No. 30, Op. 109, Prestissimo Arranged for String Quartet

Thursday, April 21, 2011

4/21 Piano-Reduced ScoreVideos (Symphonies, Missa)

(blog.modernmechanix.com)

Reading and following along with an orchestral score can be a pretty confusing experience, especially if the work has lots of twists and turns and if the orchestration changes shape all the time. Of course, that's the very thing that Beethoven does in all his symphonies. So when looking at a full orchestral score with up to 1500 notes on a single page - well it's almost too much of a good thing!

So before posting "The Nine" in full score, here are "piano-reduced" ScoreVideos.  These are made from piano transcriptions of B.'s symphonies (the most famous one being Franz Liszt's) and are perfectly fine for following a symphonic work on a kind of "theme and accompaniment" level.  In many of these 2-stave versions there are also additional markings indicating that this melody is from the flute, or that one is from the cellos. 

So far YT-ers fyrexia2 and have made a bunch of ScoreVideos using piano reductions...well done gentlemen.  Click on the links below to be taken to playlists for the piano-reduced ScoreVideos. It may help in some cases to click the lower right "full-screen" button to see the score better...

Symphony 1 & 2
Christoph Von Dohnanyi, Cleveland Orchestra
Piano Solo Transcription by Otto Singer

Symphony 1, 2 w score

Symphony 3 (mvmt 3 & 4 only) & 4
Giulini, Los Angeles PO

Symphony 3, 4 w score
  
Symphony 5 Kubelik, Bavarian RSO
Symphony 6 Bohm, VPO

Symphony 5, 6 w score


Symphony 7, 8 w Score

Symphony 9, Movement 4:
SOPRANO: Melanie Diener
MEZZO SOPRANO: Petra Lang
TENOR: Endrik Wottrich
BASSE: Dietrich Henschel
Direction: Philippe Herreweghe
05:42 Bariton Solo - Recitativo
06:50 SATB Choir
07:10 Soloists
09:30 Tenor Solo
10:00 Tenor + TTB Choir
11:50 SATB Choir: "Freude, schoner gotterfunken"
12:40 SATB Choir: "Seid umschlungen Millionen"
16:02 SATB Choir: Allegro energico, sempre ben marcato
18:53 Soloists: "Freude, Tochter aus Elysium"
19:27 Soloists + SATB Choir
21:20 Prestissimo
Link

Missa Solemnis
This score has the vocal parts in the upper staves and the piano reduction in the bottom 2.
The Monteverdi Choir and The English Baroque Soloists conducted by John Eliot Gardiner

Missa Solemnis w score Linklist

Thursday, April 14, 2011

4/14 Listening to Piano Sonatas with Score

http://www.omifacsimiles.com/brochures/beepc5.html
Instead of doing my usual weekly series of Color Analyses©,™, (PAT. PEND.), I'm going to divert for a couple weeks to concentrate a bit on what I like to call "score-following" videos ("ScoreVideos").  These are videos where the 'videographer' matched the music with the score so that a listener can follow along.  I've posted these here and there on The Daily Beethoven before but I'm going to seriously start cataloging these things because they are so useful.

Now about reading music...(and please excuse me if you are a sight-reader, because today will all seem very patronizing I suppose) - I am an awful music notation reader.  For me to sight-read "Fur Elise" would result in a 3 hour rendition ("sight-read" of course means play the piece from looking at score and not from memory).  Also my "internal voice" - that is, reading a score and hearing the music in my head without an instrument or singing - is about as accurate as the 10th person's recitation in a game of "telephone". 

However with just a bit of practice and a healthy serving of patience, any non-musician can appreciate these score videos I think.  Just a basic understanding of music notation should help quite a bit.  Now I'm not qualified to give a lesson on reading music (see the link at bottom for that), but here's some pointers which helped me...


Look at the black dots and don't worry as much about the vertical lines attached to them.  The dots tell you the direction of the pitches.

OK - now look at the vertical lines.  The more lines attached to a note the shorter the note is going to be.  Shorter means it will go by faster.

The time signature for this one is 2/4.  That means it's an even rhythm and can be counted in 4's: 1-2-3-4-1-2-3-4....
Other even rhythms are 4/4, 2/2, etc...if you see a big "cents" sign in the beginning (or "C") then that means it's countable in 4's.

If the time signature has a top number that's a multiple of 3 (3/4, 6/8, 12/8, etc) that means it can be counted in 3s: 1-2-3-1-2-3...

What helps me alot is to either count under my breath, tap my foot, or "conduct" with my hand as the measures go by.  That way, even tho I may be confused by a measure (bar) at least I'll still be on the right bar later on.  Never stop.

Conducting 4's (simple meter):
1-down
2-left
3-right
4-up

Conducting 3's (triple, or compound meter):
1-down
2-right
3-up

If a piece is a fast one, then I usually count in 2's (down-up-down-up...).  If it's a really slow one, you can count to 4 twice in 1 measure/bar.

If you get lost then the wonderful thing about these videos is that when the picture changes at least you're caught up!  Just start reading and matching what you hear with what you see right then.  Believe me, there's nothing more embarrassing then flipping back and forth through a score book trying to figure out where the performance is at :).  These score-following videos prevent you from missing a repeat sign and all that.

Following a score with music is great because
1.- You'll see things which you might not be aware of when just listening.  These include melodic patterns, subtle changes in note articulation...crescendo, sforzando and other dynamic markings, etc...

2. You'll be interacting with the music as opposed to being a passive observer.  It's kind of like a game - your eyes must follow along an invisible bouncing ball.  The problem with "passive" listening is that it leads to "attention drift" and "background music-itis".  Beethoven's music works remarkably well in setting a mood (and some of his stage music is intended for just that), but to really get the absolute most mileage out of his pieces, they can be experienced like reading a book, or watching a movie - or better yet, carrying on a conversation.

3. It's fun and gets easier the more you do it. 

Here's an early Beethoven piano sonata to get started:
Piano Sonata #2, Op. 2 No. 2 in A major 2nd Mov.

http://youtu.be/jqw2kkxu7AA

And Piano Sonata #10, Op.14 No.2, 1st Mov.:

http://youtu.be/Cxdxs7IV57Q

OK the below link will take you to a playlist (which I will try to keep updated) listing every score-following video of Beethoven's piano sonatas on Youtube. Many of these performances are not by "professionals" so don't expect Glenn Gould or Vladimir Horowitz, but they are great for exploring the works themselves.

Piano Sonatas w score:
Piano Sonatas 1-6, 7, 8 ("Pathetique"), 9, 10, 17.3 ("Tempest"), 
18.2/4 ("The Hunt"), 27, 28, 29 ("Hammerklavier"), 31

Of course there's no reason to feel any pressure to follow with the score, it just makes listening to Beethoven's piano works a different experience.  

Here's what looks to be a good site on learning how to read music (I can't guarantee anything tho - maybe I'll add more sites later):
http://datadragon.com/education/reading/

Personally, I highly recommend this book:  "Learn to Read Music" (Shanet)