Showing posts with label Manuscript. Show all posts
Showing posts with label Manuscript. Show all posts

Thursday, December 30, 2010

12/30 "Beethoven, why are your Folk Songs so Difficult?"

(Roxburghe Collection)
One interesting side-job that Beethoven took was writing arrangements of "folk tunes" for the English market.  George Thomson contacted Beethoven about putting some melodies to small chamber arrangements and surprisingly, B. agreed.  In fact he churned out over 170 of them.  They paid well, and he had a ready audience to receive them into their parlor concerts (I imagine).  When first hearing about these arrangements I was curious as to how much B. put into these things.  Well, in general when he received a melody line (usually without lyrics), he proceeded to add an introduction and a coda, and then expand the melody into a harmonic setting for voice, piano and a string instruments (cello and/or violin).  He took it very seriously.  On at least one occasion Mr Thompson complained that the music was too hard for non-professionals to play.  B. replied that he rarely made changes to his works once he sent them out, but he did do new, simpler arrangements of about 10.
"Behold my Love how green the groves" Pg. 1
"Behold my Love how green the groves" Pg 2
Scottish Folksongs.  3 Songs from Op. 108
-1. Behold my love, how green the groves
-2. Oh, had my fate been join'd with thine
-3. Come fill, fill my good fellow
(Catrin Wyn-Davies, Janice Watson, sopranos/Timothy Robinson, tenor/Thomas Allen, baritone)

Have a sing along...?

"Wife, Children and Friends" (from Irish songs, WoO 152)


"Come fill, fill, my good fellow!" (from 25 Scottish Songs Op.108 (1818))


"They bid me slight my Dermot dear" (Irish Songs WoO 152 - No. 18)


Thanks to the Digital Archive at the Beethoven-haus Bonn you can peruse this autograph manuscript:
43 popular song arrangements for voice, violin, cello and piano, from WoO 152 to WoO 155 Corrected copy.

Tuesday, December 28, 2010

12/28 Eroica Variations Autograph Battle

15 Variations and a Fugue in Eb 'Eroica Variations' Op.35 (1802)

 The Front Cover already has some "forebodings"...

 Things start out fairly peacefully

 Tensions creep in..

 The battle is joined!

 Counter-attack successful

All's well that ends well.

Full Autograph score here.
Previous post on the Eroica Variations (with Glenn Gould)

I might as well throw in this old chestnut as well.
In response to no demand whatsoever, here's another of my guitar arrangements using Synthfont, this time of the Eroica Variations:

Wednesday, December 8, 2010

12/8 The Appassionata Sonata

Beethoven's most powerful piano sonata may be the "Appassionata", Sonata #23, Opus 57.  It has a couple of interesting stories attached to it (though the "Appassionata" name was given by the publisher and not Beethoven himself).

Ferdinand Ries on a walk with Beethoven:
Beethoven took a pleasure in wandering along lonely, often pathless ways through the forests, valleys and mountains. (One day) we set out happily together and soon found ourselves in a lonely woods on the beautiful mountain slopes of Baden. I observed that Beethoven was much absorbed in private meditation and that he was humming to himself; I knew from experience that at such moments he was in the most powerful throes of creation and so I took good care not to disturb him, but walked along with him in silence...After having walked for about an hour, we sat down to rest in the grass. 

Suddenly, from the slope on the other side of the valley, the sound of a shawm (medieval oboe) was heard, whose unexpected melody under the clear blue sky, in the deep solitude of the woods, made a remarkable impression on me. Since Beethoven was sitting next to me I could not refrain from calling his attention to it: sunk deep in thought he had heard nothing. He listened, but I observed from his expression that he did not hear the sounds, although they continued. It was then that for the first time I was convinced his hearing was impaired...In order not to sadden him, I made believe that I too could not hear anything anymore. 

After awhile we set out again, the tones accompanying us for a long time on our solitary way through the woods, without Beethoven's taking the least notice of them. The sweet fascination which these tones had exercised on me at first now turned into profound sadness. Almost without realizing it, I walked along silently, sunk in sad thoughts, at the side of my great master who, as before, occupied with his own inner meditations, continued to hum indistinguishable phrases and tones, and to sing aloud. When after several hours we returned home, he sat down impatiently at the piano and exclaimed: "Now I shall play something for you." With irresistible fire and force he played the Allegro of the great F Minor Sonata (Appassionata). The day will forever remain unforgettable to me. (Kerst, HC Landon).

There are actually a couple other accounts of the above story with some variations, but that one has the most poignancy for me.  The other famous story about the Appassionata is that Prince Lichnowsky asked B to perform for some French soldiers who were visiting and B would have none of it.  He was staying at Lichnowsky's Gratz summer house and stormed out into the rain, preferring to walk back to Vienna instead of waiting for a horse carriage.  The score of the Appassionata got a bit wet as you can see below:

Page 1
Page 2
Page 1 from the 2nd Movement.
Notice that the first staff and a half has been pasted on as a correction!
This was before Finale and Sibelius software...
Page 2 from the 2nd Movement
Sviatoslav Richter (he's a favorite of mine obviously) playing the Appassionata 1st Movement:


Unknown 13-year old playing a blazing 3rd Movement...

Tuesday, November 23, 2010

11/23 The Immortal Beloved Letter (Autograph)

Around 1812 Beethoven wrote a long letter (10 pages) to some woman who he was obviously quite taken with.  Sadly we will never know for certain who it was.  However the letter itself was discovered after Beethoven's death in a secret drawer where he also kept the Heiligenstadt Testament, some savings and some pictures.  Based on these images, I feel that these were a "rough draft" copy which he then copied out in a neater style and then sent to the lady in question.  That would explain why he had a copy in his desk.

Or maybe Beethoven found out she slept with Daniel Steibelt and he never sent it - who knows?
Here is the "Immortal Beloved Letter" - click on the images for a larger size:
July 6
In the morning-

My angel, my all
my self - only a few
words today, and indeed with pencil
(with yours)
only tomorrow is my lodging positively fixed
what a worthless waste
of time on such - why
this deep grief, where
necessity speaks -
can our love exist but
by sacrifices
by not demanding everything
can you change it, that you
not completely mine. I am not
completely yours - Oh God
look upon beautiful nature
and calm your soul
over what must be - love
demands everything and completely with good reason.
so it is for me with you, for you
with me - only you forget
so easily, that I must live for myself and
for you, were
we wholly united, you would
feel this painfulness
just as little as I -

my trip was frightful.
I arrived here only at 4
o'clock yesterday morning.
because they lacked horses,
the postal service chose another
route but what a
horrible way, at the next to the
last station they warned
me about traveling at night,
made me afraid of a forest,
but this only
provoked me - and I was
mistaken, the coach had
to break down
on the terrible route,
a mere bottomless
country road and the without 2 such postil-
lions as I had, I would have
been stranded on the way

Esterhazy on the
other customary route
here had the same fate
with 8 horses, as I with
four - still I had
some pleasure again.
as always, whenever I fortunately
survive something - now quickly
to interior from exterior.
we will probably see each other soon.
even today I cannot
convey to you observances,
which I made during these
few days about my
life - were
our hearts always close
together, I would of course make none of the sort
my heart is full of much
to tell you - Oh - there
are still moments when I find
that speech is nothing
at all - cheer up -
remain my faithful only
treasure, my all, as I for you
the rest the gods must
send what must
and should be for us -- your faithful
ludwig -
Monday evening on July 6 -

You are suffering you my dearest
creature - just now I notice
that letters must be posted
very early in the morning.
Mondays - Thursdays -
the only days on which
the mail goes from here
to K - you are suffering -Oh, wherever
I am, you are with me.
I say to myself and to you, arrange
that I can live with you.
what a life!!!! as it is!!!!
without you - Persecuted by
the kindness of people here
and there, which I think - I want
to deserve just as little
as I deserve it - Humility
of man to
man - it pains
me - and when I regard myself
in the framework
of the universe
what am I and what is
he - whom one
calls the Greatest -
and yet - herein is
again the divine spark
of man - I
weep when I think
that you will probably
not receive the first
news of me until
Saturday - as much as you
love me - I love you
even more deeply but - but
never hide yourself from

me - good night - as
one bathing I must go to
sleep o go with
go with
--
so near! so far! is
not our love a true
heavenly edifice -
but also firm, like
the firmament -
good morning on July 7 -
while still in bed thoughts
thrust themselves toward you my
eternally beloved
now and then happy
then again sad.
awaiting fate.
if it will grant us a favorable hearing -
I can only live either
wholly with you or not at all.
yes I have resolved
to stray about
in the distance, until I
can fly into your arms
and call myself
entirely at home with you.
can send my soul
embraced by you
into the realm of spirits -
yes unfortunately it must be - you
will compose yourself all the more
since you know my faithfulness
to you, never can another
own my heart,
never - never - O God why
have to separate oneself,
what one loves so, and yet my
life in V [ienna] as it is now is a
miserable life - Your
love makes me the most happy
and the most unhappy
at once - at my age I would
need some conformity
regularity of life - can

this exist in our
relationship? -- Angel, right now
I hear that the mail
goes every day -
and I must therefore
close, so that you
will receive the L [etter] immediately -
be calm, only through
quiet contemplation of our
existence can we
reach our goal
to live together -
be patient -love me -
today - yesterday -
What longing with
tears for you -
you - you my
love - my
all - fare-
well - o continue
to love me - never
misjudge the most faithful
heart of your
beloved
L.
forever yours
forever mine
forever us 

(Translated text from Dominique Prevot's superb site.  

I'm not going to write more about the Immortal Beloved, there's plenty of material out there on it (including a fascinating and possibly libelous movie with Gary Oldman) but despite several biographer's attempts we may never know who she was, if she ever got this letter, or how she replied.  Yet he saved it till his dying day....

Sunday, November 14, 2010

11/14 Violin Sonata 7 and 6 w Vengerov/Kavakos

Maxim Vengerov
Beethoven's Violin Sonata No 7 Opus 30, No 2 is not as famous as No. 9 "the Kreutzer" or No 5 "Spring" - but it has it's own sense of lyrical beauty.  In C minor (which means it's "serious") and written in his "heroic" period, it's contemporary with other works such as the "Tempest" and "Hunt" piano sonatas.  Below, parts 1 through 4 are Violin Sonata No 7 Opus 30, No 2 (1802)  with violinist Maxim Vengerov with Lilya Zilberstein in 2006, Moscow.  Part 5 through 7 are Violin Sonata 6 in A Op.30 No. 1 (1802) performed by Leonidas Kavakos and Enrico Pace...another great duo composition.


And here is the original manuscript for Violin Sonata 7 -   I can't get enough of these things!
Leonidas Kavakos

Saturday, November 13, 2010

11/13 String Trio 1 (Grumiaux Trio w Manuscript)

(Page 1 of String Trio 1)
Here's a video by a Beethoven fan after my own heart.  It features Beethoven's String Trio 1 in Eb major, Op.3 (1794?) with the music following the autograph manuscript of the score.  That sounds like something I'd like to do (except that I'm too lazy). This was a very early work and you can see that Beethoven's penmanship was still very neat at this stage. 

Featuring:
Arthur Grumiaux, violin
Georges Janzer, viola
Eva Czako, cello
You can download the autograph score here as well.
Make the picture fullscreen to make it easier to see the score and follow along..
In 6 movements spread over 5 parts :


Linklist

Monday, October 11, 2010

10/11 The Diabelli Variations Manuscript

Diabelli Waltz - Page the 1st.
A few years ago an original autograph manuscript of the Diabelli Variations was being put up for sale and the Beethoven Musem in Bonn was very interested to purchase it. So interested in fact, that they appealed to Beethoven fans everywhere to donate some money so that the museum could afford to buy it.  Lo and behold (well, 2 years later) the cash materialized and now the manuscript is available for perusal to anyone with a computer and an internet hamster wheel attached -thanks to the generous people who donated (including a couple guys named Alfred Brendel and Daniel Barenboim...guess they are really into piano music or something). 

You can view this amazing document in high resolution here...(be sure to click on the very informative Commentary Link).

I wish I could do some kind of analysis on the Diabelli Variations better than the one on Wikipedia - but I can't.

This article on Dominique Prevot's Beethoven site is pretty interesting:
Beethoven's Diabelli Variations - Misunderstood Genius - By Michelle Oliver
AND you can here Friedrich Gulda perform the Diabelli Variations below (from a 1984 Eterna vinyl LP):

Wednesday, September 8, 2010

9/8 String Quartet Op. 59 No 3 (Razumovsky #3)

String Quartet Op. 59 No 3 (1806)

Here's another one of B's "Heroic Period" string quartets, his ninth string quartet overall and third one written for Count Razumovsky.  The Count was a cellist and was big fan of B's music.  To have an exclusive quartet written for one's own concert was quite a status symbol.  Kind of as if Wynton Marsalis wrote a saxophone concerto for Bill Cllinton whle he was governor of Arkansas.  Sadly the Count lost almost everything he owned of value in a fire after a late night party, and died a palper.
Andrey/Andriy Razumovsky, [1752-1836] became the Russian Ambassador to the Austro-Hungarian Court in Vienna from 1790. There he also became one of Beethoven's close friends and converted to Catholicism. In honor of this association, Beethoven incorporated some Ukrainian melodies, which would have been traditionally played on torbans, into a number of his chamber works, notably the "Razumovsky" quartets. Andriy had 3 torbans in his collection. One of them is still preserved in Vienna. (http://torban.org/torban5.html)

Here's an animated score sample with autograph

You can peruse the FULL 58 PG. MANUSCRIPT or read the commentary article from the Beethoven Digital Archive in Bonn.  You can even buy a copy for a mere 358 euros ($458).  Christmas is just around the corner.....

Oh yeah, you may want to listen to an actual recording of this quartet (bravo if you can follow with the autograph score!):
(The Orion String Quartet)

Thursday, August 26, 2010

8/26 String Quartet Opus 131 Finale

Beethoven's String Quartet Opus 131 Finale Analysis
This quartet finale is exciting as heck, which is why I wanted to analyze it.  Little did I know that the intrinsic substance of this movement is intimately tied to most of the preceding movements in this string quartet.  So I guess this will be like a movie review with just the spoilers.  Damn you Louis!

Performed by the Guarneri Qrtt
Alternate Youtube link
Notes:  My analysis is helped greatly by Donald Francis Tovey's analysis.  
A1 is called Anapaeste bcause the rhythm of the first figure is similar to "an-a-paeste".  The Scissor theme is a 2-accent figure, like the sound scissors make.  The 2nd theme (Sweetness) is in the relative major instead of the dominant.  The Development features explicit references to elements found in the preceeding movements of this quartet, such as the earlier fugue movement.  The "vibrations" at the end of C2 echo a few measures into the Recap.  In the Recap the Sweetness theme is in the flat supertonic, which mirrors the first movement's harmonic motion.  It's also twice as long, despite the Anapaeste motif trying to disperse it.  The Coda seems to me to be almost a 2nd development section, but Tovey calls it a Coda;  I compromise and call it a 2nd recap.

Comments by Guarneri Quartet:
Soyer: It's savage - utterly savage - the culmination of the entire work.
Dalley: Grotesque and wild!  It has invincible energy.
Tree: A relentles dance, a demonic dance - and yet, what wonderfully tender moments, what an enormous emotional range!
Steinhardt: He's shaking his fist at destiny. It's terrifying - but suddenly everything is released and it overflows with joy, with ecstacy.
Dalley: You want to bark like a dog.
 Manuscript Sketch Images from http://www.rism.org.uk/

Here are some other analyses to compare:
Lewis Lockwood's book
Barbara Barry's book.

Friday, August 20, 2010

8/20 Copyist Problems

Cello Sonata Opus 69?
Beethoven had some problems with copyists after his longtime copyist Wenzel Schlemmer died.

Here's a letter from a certain Ferdinand Wolanek:

Beethoven's reply: a big X and...

The original document has a bit more flair to it tho:
Text from "Letters to Beethoven and Other Correspondence: 1824-1828 by Theodore Albrecht"


By the way, the page at the top (Cello Sonata Opus 69) is not the score in question.   It was probably the finale to the 9th Symphony which you can see here.

"Alle Menschen werden Brüder"....indeed.

Also of course, there's the movie "Copying Beethoven" which looks so awful I haven't been able to bring myself to rent it.

==============================================================================
An Amazon Review:  "This CD was supposed to be soft, easy music that would help you go to sleep. I did go to sleep almost immediately but not because of the music--I was just very tired. However, the music actually woke me up a couple of times when it got just a little louder. Maybe it's me, but I didn't find this product to do as promised." 


lol.

Monday, August 16, 2010

8/16 The 9th Symphony Autograph Manuscript

Beethoven is notorious for his atrocious musical handwriting.  I feel sorry for his copyists.  No doubt he could have saved some broken families if he'd had access to Finale back then.  Even now that we have sound recordings of all his music, it is still no easy task to follow his scores.  Nonetheless they are fascinating to look at for many reasons, not least of which is to show how much care went into his compositions.  His manuscript scores are riddled with cross-outs and corrections, yet these are supposed to be "final drafts".  For example here is arguably his greatest composition, the 9th Symphony (Ode to Joy, etc...).  Riddled!


1st Movement Page 1, and some others:

2nd Movement Page 1:
3rd Movement Page 1:
4th Movement Page 1:
Oh Friends!:
Whew.  Kind of like the tablets the 10 Commandments were written on for a Beethoven fan like me...  You can see the ENTIRE 9th Symphony autograph manuscript at the below link from the Staatsbibliothek zu Berlin (where the above pages are from).

Note: blättern means "next page".  You can jump from movement to movement with the drop-down menu top left.

There are many articles on the 9th but this one by Daniel Felsenfeld (Rebel Music) certainly resonated with me. 

Thursday, July 22, 2010

7/23 Animated Symphony 6 with Autograph

I'm pretty fond of B's autograph manuscripts. It's as if his sketches are plans for individual tactics, and the manuscript is the enactment of the entire battle - sometimes things need to be changed on the spot, hence the X's and cross-outs to be found all over his manuscripts.
The BeethovenHaus in Bonn has a great website with loads of archival material including manuscripts, sketches and letters. Here is a short animated autograph score to the beginning of the 6th (Pastoral) Symphony.














Juilliard also has a great manuscript collection.