Showing posts with label Documentary. Show all posts
Showing posts with label Documentary. Show all posts

Saturday, June 11, 2011

6/11 Master Class w Ed Aaron on String Quartet 1

Cellist Edward Aaron is an active classical musician and organizer in New York City who has performed at Carnegie Hall and Lincoln Center.  Here he gives a master class to a very fresh student string quartet working on Beethoven's String Quartet Op.18 No.1 in F.  Mr. Aaron comes in at around 8:30...

"BYO Chamber Group was lucky enough to have a master class with Ed Aaron from USB Festival Series. Working with our quartet on Beethoven String Quartet in F Major"

Link
It's a little rough at the beginning but that's what teachers are for, right?  Fine group.

Saturday, May 21, 2011

5/21 Ustinov's Immortal Beethoven

Sir Peter Ustinov is no stranger to Beethoven. In fact he wrote and starred in a play called "Beethoven's Tenth".  From a 1984 New York Times review:
"With his soiled 19th-century costume, wild thicket of hair and vast dyspeptic face, Mr. Ustinov is a spectacular sight. Forever muttering and cackling, he's not averse to lunging gluttonously at any available wine bottle or female derriere. And, at first, we delight in watching this portly anachronism bump heedlessly into the indignities of the modern world. Mr. Ustinov is the soul of mischievousness as he confronts an ear doctor dressed in jogging clothes or bounces on a chrome-and-leather chair or copes with the mysteries of a stereo system. Learning that his host is automatically sent free copies of new records, Mr. Ustinov slyly inquires, ''Critics get presents these days as well as bribes?''

So perhaps it doesn't seem so odd that Sir Peter hosted a 2 hour documentary called "The Immortal Beethoven with Sir Peter Ustinov" back in 1987.
Music Excerpts:
Variations In G Major On 'Nel Cor Piu Non Mi Sento'
String Quartet In C Minor Opus 18 No 4--Allegro Ma Non Tanto
Sonata No 9 In A Major For Violin And Piano Op 47
Sonata No 29 In B Flat Major Op 106--Scherzo
Symphony No 9 In D Minor Op 125

Featuring:
Neville Marriner (Conductor)
Hans Zender (Conductor)
Thomas Zehetmair (Violinist)
Mischa Meisky (Cellist)
Vladimir Ashkenazy Pianist)
Israela Margalit (Pianist)
Valerij Afanassiev (Pianist)

The Immortal Beethoven with Sir Peter Ustinov

Saturday, May 14, 2011

5/14 The Robert Greenberg Lectures

Robert Greenberg's Teaching Company Lectures were a great help to me when I was first getting my feet wet with classical music in general and Beethoven in particular.  He has a pretty outgoing and fun approach to lecturing on music and his "Wordscore Guides" were very helpful when I was doing those video-annotated analyses of the first 5 symphonies.  Now a good chuck of his lecturing is available online so...get your Greenberg on!

30. The French Revolution and an Introduction to Beethoven

31. Beethoven's 5th Symphony Part 1

32. Beethoven's 5th Symphony Part 2

You can find about 40 more of these Greenberg lectures at Viddler.com (DialTeam01's public videos)

Here's a single 71 minute lecture (in front of a live audience) Professor Greenberg gave called "Heart, Soul and Dollar".
01.    Introduction
02.    Language of Music
03.    Search for Meaning
04.    Interpretive Potential
05.    Waste No Time
06.    Shostakovich Threatened by Stalin
07.    Fifth Symphony
08.    Fifteenth Symphony
09.    West African Polyrhythm
10.    Microtonal Pitches
11.    Call and Response
12.    Brahms Meets Schumann
13.    First Piano Concerto
14.    Beethoven Imitation
15.    Finding Truth in Music
16.    Q1: Music Education
17.    Q2: Modern Composers
18.    Q3: Taste


Music: Heart, Soul and Dollar - Robert Greenberg

Saturday, April 30, 2011

4/30 Barenboim Masterclasses 2

A Piano Notes Chart
Several months ago I featured some masterclasses given by Daniel Barenboim with some fairly well-established pianists such as Lang Lang, Jonathan Biss and Alessio Bax.  Here are some more classes held by Barenboim with:

Pt. 1-4: Shai Wosner & Piano Sonata #17 Op.31, No.2, "Tempest" 1. Largo, Allegro
Pt. 5-9: David Kadouch (expanded) & Piano Sonata #16, Op.31, No.1, 1. Allegro Vivace
Pt. 10-13: Abboud Ashkar & Piano Sonata #21, Op.53, "Waldstein" 1. Allegro Con Brio
Pt. 14-16: Javier Perianes & Piano Sonata #31, Op.110, 1. Moderato Cantabile, Molto Espressivo
It's kind of funny tho that sometimes Barenboim tells a student to play a certain way, and then the film cuts to Barenboim playing and forgetting his own advice...


Linklist (3 hours, 8 min)

Monday, April 25, 2011

4/25 Bernstein on Beethoven's 9 Symphonies

("Light'em up" Lenny)
I've featured Leonard Bernstein here several times before, but today Lenny is actually going to introduce all 9 Symphonies of Beethoven!  These were done for TV broadcasts of concerts with the Vienna Philharmonic in the 70's I think.  Even after all these years - there's simply nobody like Lenny!

Leonard Bernstein Introduces Beethoven's 9 Symphonies (36 min):
I'm tempted to add some kind of description to each of these - but that would spoil it...
1. Symphony 1
2. Symphony 2
3. Symphony 3
4. Symphony 4
5. Symphony 5
6. Symphony 6
7. Symphony 6 & 7 (w Maximilian Schell)
8. Symphony 8
9. Symphony 9
From dericho06's YT channel .

Linklist

Saturday, April 23, 2011

4/23 Lectures on Conductors and Aliens

http://www.etsy.com/people/needlelite
Vanderbilt University in Nashville has an incredible Youtube channel where you can literally spend days - maybe weeks, watching their educational videos, lectures and concerts.  It's pretty incredible that this kind of programming is free on the internet.  Several universities do this nowadays and you can find filmed classroom lectures on everything from electronic music synthesis to copyright law to brain surgery (I think).

Here's "What Does a Conductor Actually Do?" (1 hr. 20 min.)
Giancarlo Guerrero leads a penetrating and intimate exploration of the role and responsibilities of the symphonic conductor. Through the use of personal stories, DVDs, recordings and demonstration, class participants learn firsthand the actual components of the conductor's leadership and job requirements. The world's great conductors will be compared and contrasted, illuminating the central and sometimes surprising role the conductor plays in the musical interpretation, production, sound, personnel and importantly the enjoyment of the audience.
Beethoven  - Symphony 7 (excerpts)
Sir Georg Solti, Vienna Phil
Fritz Reiner, Chicago Symphony
Carlos Kleiber, Concertgebouw Amsterdam
Tchaikovsky (excerpts)
Leonard Bernstein, NY Phil

How to Listen to Classical Music: What Does A Conductor Actually Do?

Here's an 1 hr 15 min. lecture/demonstration called "Symphony 101"
Giancarlo Guerrero, music director and conductor of the Nashville Symphony, leads an engaging and invigorating discussion about the elements and structure of the music of the symphony orchestra. What is a symphony? Maestro Guerrero will dissect the symphonic form exploring scherzo, minuet, theme and variation, and more. The great composers of symphonies and their works are also explored through their different approaches to the form and their unique and recognizable voices.

How to Listen to Classical Music: Symphony 101

Check out Vanderbilt's channel for more lectures and concerts including:
OCTUBAFEST at the Blair School of Music (lots of tubas on stage)
and
"Life in the Universe" (Jodie Foster character in the movie Contact is largely based on this real-life researcher)...

Saturday, April 16, 2011

4/16 In Search of the Magnificent Rebel

Today I'm going to feature a kind of "smorgasboard" Beethoven biography program.  From Disney's TV show from the Golden Age of TV comes "The Magnificent Rebel - The Story of Beethoven".
60 minutes, followed by the trailer:
Karl Boehm stars as Ludwig van Beethoven in this lavish Disney production, filmed on location in Europe. Beethoven is depicted as an intense, moody individual, who pours out his emotions in music--and in the occasional romance. The incessant din of the Napoleonic wars causes Beethoven to lose his hearing, after which he becomes more withdrawn than ever. He is humanized through the friendship of a blind youth, who gives him the fortitude to continue his work. (originally telecast in Walt Disney's Wonderful World of Color, was released theatrically in Europe. ~ Hal Erickson, Rovi
Playlist



Another GREAT drama about Beethoven is the TV production "Beethoven Lives Upstairs".

Link

Sunday, March 27, 2011

3/27 Glenn Gould, Concert Dropout

For some reason I really enjoy listening to Glenn Gould talk - probably even more than listening to him play!  ...Then again I'd rather listen to his Beethoven piano sonatas again before re-hearing one of his "interviews" - no longevity is apparently the problem.

This recent discovery on YT was a fun listen though, "Glenn Gould: Concert Dropout".

From the cover it says:
Partial Agenda:
The Concert is Dead
The Only Excuse for Recording is to Do it Differently
The Great Get-Sibelius Plot Exposed
A Live Audience is a Great Liability
Petula Clark's Songs are in the Post-Mendelssohn Tradition
Why I Sing Along
Electronic Music is the Future

Apparently this was a largely scripted and edited affair - but it still answers a great many questions about Gould's later view on life and music.

This record is followed by "At Home with Glenn Gould" which was recorded while Gould was still playing live concerts - maybe this one was "real" since I found it far less interesting...
Pt 1-6: Glenn Gould: Concert Dropout (54 min)
Pt 7-15: At Home with Glenn Gould (1 hr 17 min)

Linklist

And here we have an excerpt of Glenn Gould performing to "no one" and re-interpreting Liszt reinterpreting Beethoven's Pastoral Symohony - this seems to encapsulate everything Gould talks about in the interview, right?

Tuesday, March 22, 2011

3/22 Stokowski's Moonlight Orchestra

Leopold Stokowski (Sta-kuf-skee) is another of the 20th Century's most famous conductors, and a direct rival of Toscanini's.  In fact Toscanani had to 'steal' Shostakovich's 7th Symphony from Stokowski, claiming that Stokowski was a young man and had plenty more time to do another Shosty piece later....  Though not my favorite Beethoven interpreter, he still ranks very high, and two things especially stand out about him for me.  One, that he was not afraid to re-orchestrate symphonic works for modern orchestra (he thought of himself as a collaborator with the composer's spirit) and second, his use of close-miking techniques, especially in the 60s - his "Phase 4" recordings.  The result of this cutting-edge technology was that Stokowski had direct control over the volume and placement of every instrument in the orchestra - thus achieving an extreme clarity of personal vision.  In other words, listening to these records is like sitting in the conductor's chair, rather than in the 20th row back...a very exciting way to present music.  Before Stokowski died at age 94 (still conducting) he had already begun recording surround-sound sides as well....

Here's a video of Stokowski conducting the finale of Beethioven's 7th Stymphony:


At the link below you can download the full 7th symphony conducted by Stokowski as well as a recording of him giving an introductory commentary on the symphony.
1927 - Stokowski - Philadelphia Orchestra Recordings - Part 1

And here is an example of Stokowski transcribing a chamber piece for orchestra. He was famous for his Bach transcriptions (which I love) but here is Beethoven's Moonlight Sonata in "Stokowski-sound" (tho actually conducted here by the late Erich Kunzel):

Beethoven/Stokowski - Moonlight Sonata

Finally here's Glenn Gould presenting a 1 hour movie with Stokowski talking about his approach to music...

Glenn Gould: Stokowski, a portrait for radio

Sunday, March 20, 2011

3/20 Sir Georg Solti on B's 9th and Bartok

Sir Georg Solti is one of those conductors who interprets Beethoven at a somewhat more measured pace - especially compared to the newer, smaller orchestras.  He's also one of the few conductors I like who do it this way (Konwitschny would be another).  What is it that makes a slower performance exciting - yet not drag? I don't exactly know, but Solti surely does.

Here's the great Hungarian conductor Sir Georg Solti doing a commentary on Beethoven's 9th Symphony, shared on Youtube by archivist davidhertzberg:
"In this 1972 recording (made available only to members of the Chicago Symphony Society), Sir Georg Solti comments on, and conducts, Beethoven's 9th Symphony. From the LP shown above, issued in 1973 on the London label." (39 min)

Linklist

The Solti Beethoven Decca CD box also includes a bonus disc of Sir Georg talking about each of the 9 symphonies - great listening.

And here's a couple short documentaries with Sir Georg Solti - both very entertaining - tho no Beethoven-related stuff. (54 min total)
1-3: - Dudley Moore and Sir Georg talking about how the orchestra works.  Moore actually plays a little Bartok here.
4-6: - Sir Georg with Murray Perahia and Evelyn Glennie recording Bartok's Sonata for 2 Pianos and Percussion

Linklist

Saturday, March 5, 2011

3/5 Waldstein Analysis from Erik Reischl / "Whole Notes"

The "Waldstein" piano sonata is one of my all-time favorite piano works.  It starts out with that pounding chord intro (a Beethoven signature move) and goes through a dramatic journey of contrasting colors and moods.  Here's a great series of 12 very short (4-8 min.) piano lessons/analyses on the Waldstein by German pianist Erik Reischl. I haven't watched the whole thing as of this writing but the first few lessons are very engaging, even for a non-pianist such as myself. Excellent use of "visual aids" as well.

73 min.
Linklist

Also, a while back I also wrote about this great animated flash analysis of the Waldstein 1st movement by José Rodríguez Alvira

Secondly, here's another recently uploaded short doc on LvB, this time from the "Whole Notes - Stories Behind The Classics" series on various classical composers. Some fine excerpts of B.'s works and the usual talking heads, but as many LvB docs as I've seen, there's always something new to learn.
Whole Notes - LUDWIG VAN BEETHOVEN Stories Behind The Classics (27 min)

Whole Notes - LUDWIG VAN BEETHOVEN - Stories Behind The Classics

Saturday, February 19, 2011

2/19 Great Composers: Beethoven / String Quartet 131 (Cavani)

I've seen many documentaries on Beethoven and I always find something new...Beethoven can be approached from so many different ways, even in the context of a "straightforward" documentary about his life.  Read on for more...
"For many people, musicians and laymen alike, Beethoven is the most admired composer in the history of Western classical music -- not only because of the intellectual rigour of his music, but also its expressive power. Beethoven's struggle to resist being defeated by his deafness has a parallel in his music. This programme explores all aspects of Beethoven's life, the music and the man, his views on life, politics and the French Revolution. Contributors include conductors Nikolaus Harnoncourt and Michael Tilson Thomas, pianist Vladimir Ashkenazy, violinist Peter Cropper from The Lindsays, musicologist Charles Rosen, sociologist Tia de Nora, director Sir Peter Hall, Beethoven expert John Suchet and Beethoven scholars Barry Cooper, Bill Meredith, Basil Deane and William Kinderman."


And secondly, a fine concert by the Cavani Quartet performing Opus 131.  Despite some "liberties taken" in the 5th movement Presto, the best live version I've found on YT...
Sunday, September 27, 2009, Mixon Hall
CAVANI String Quartet:
ANNIE FULLARD, violin / MARI SATO, violin
KIRSTEN DOCTER, viola / MERRY PECKHAM, cello
String Quartet No. 14 in C# minor, Op. 131  (42 min)
Here's movements I-III:


Click below to go to the Linklist for the whole quartet

Sunday, February 13, 2011

2/13 O'Conor's "Bootcamp" / Gardiner's "Eroica"

(The guy on the top left was pretty damn good.  Bottom right was kind of wonky...)
Here's a 54-minute film about John O'Conor's "Beethoven Bootcamp".  I don't play the piano myself but it was still an interesting look at performing Beethoven's piano sonatas.  O'Conor was taught by Wilhelm Kempff and he continues the teaching tradition by holding a 2 week masterclass in Italy every year.  This film documents one such class with 7 young students.  O'Conor is pretty off-the-wall - the film is pretty frank with his assessments which is almost kind of jolting in this back-slapping PR-drenched profession...

"In this unique film, recorded in Positano, on Italy's rugged Amalfi coast, internationally acclaimed concert pianist John O'Conor tries to pass on the passion and power of Beethoven's music to the next generation of musicians. It's not an easy task - even though this group of seven men and women from around the world are hand picked by O'Conor for these master-classes, as much for their musical ability as for their perceived dedication to their art and their craft, the lessons have mixed results."
Master-class reviewed in New York Observer


A while back I posted the BBC movie "Eroica" about the first performance of Beethoven's 3rd Symphony.  It still ranks as my favorite Beethoven dramatization.  A bonus feature on the DVD was an option to watch just the Eroica being performed (without the talking and drama, etc..).  It's an extraordinary performance on period instruments and probably the closest you can find to the original orchestra in Beethoven's time.
Here's John Eliot Gardiner's "Eroica" from "Eroica the Movie"

Maestro Gardiner talked at length about Beethoven's 5th  HERE.

Saturday, February 12, 2011

2/12 Beethoven's Last Piano / Rattle-ing the 5th

Here's an interesting little feature from the BBC about the restoration of Beethoven's last piano (really!) - and a performance by Melvyn Tan of some of the Bagatelles on said restored fortepiano.  One interesting fact is that the strings are so thin that they are "near the breaking point."  So that would fit right in with the stories of Beethoven breaking 4 strings on the first chord!

"Beethoven's Broadwood fortepiano returned to England from Budapest in 1992 for restoration. Part 1 and 2 of the video tells us the history of the piano and about the restoration. Parts 3 and 4 are a performance of Beethoven's Bagatelle No. 1-6, op.126 by Melvyn Tan on the occasion. The final part is Beethoven's Fantasia in G minor Op.77, also performed by Melvyn Tan. A BBC production. "
(41 min.)

Linklist

From the intimate to the bombastic:
Beethoven's Symphony No. 5 (hardly needs any introduction at this point...)
Conducted by Sir Simon Rattle with the Berliner Philharmoniker 2007, (39:17)

Link

ALSO:
Note that I now added a new link over to the right to go to my Youtube Channel devoted to The Daily Beethoven. This is where you will find every video I personally created for TDB (as well as videos I have written posts about but have not published yet) and videos which I did for my own enjoyment (read: LvB guitar arrangements) which I couldn't fit into the blog content. 

Sunday, February 6, 2011

2/6 Appassionata Piano Sonata and Clarinet Trio Masterclasses

Even though I don't personally play piano or clarinet, watching a masterclass on performing Beethoven's music can add quite a bit to the enjoyment of a performance...

Part 1-3: Pianist Lisa Yui, a Yamaha Performing Artist and faculty member of the Manhattan School of Music, gives a masterclass on Beethoven's Piano Sonata No. 23, Op. 57, "Appassionata", for the YouTube Symphony Orchestra 2011.

Part 4-7: Jonathan Biss teaches a masterclass on Beethoven's Clarinet Trio Op 11 at the Conservatory of the Jerusalem Academy of Music and Dance. He was the guest of the Aldwell Center for Piano Performance and Musicianship, which is part of the Conservatory.

Linklist

Update: I did a color analysis of the Appasionata here - you can clearly see the variations Professor Yui talks about in the 2nd movement there.

Sunday, January 23, 2011

1/23 Beethoven's Cello Sonata 5 w Yudkin Lecture on Concision

Beethoven's Cello Sonata 5 (in D Major Op.102, No. 2 (1815)) is another one of those pieces where the late-period Ludwig just floors me with "sublime feeling".  Here's Alfred Brendel and his son (?) Adrian Brendel on cello doing the entire work with one of those cool "accompanied score" videos.  These first 2 vids are followed by Micah Fusselman and Jeongin Kim in a Masterclass with Yehuda Hanani at CCM May 25, 2009.
(total time 1 hour).

Pt 1 - 2: (Brendel and Son recital)
Pt 3: Masterclass recital of the 2nd movement
Pt 4 - 7: Masterclass instruction


Linklist

I can't resist throwing in this performance of the 3rd and final fugue movement by Martha Argerich and Mischa Maisky - explosive.


...As a follow-up "Sunday feature" - here's a very recent lecture (October 14, 2010) by Jeremy Yudkin, music professor and chair of the musicology and ethnomusicology department at the College of Fine Arts of Boston University.  He talks about "concision" and does a nice analysis of the 1st movement of Beethoven's 5th, and then moves on to Miles Davis' "Blue in Green" and Paul McCartney...
The Beethoven stuff starts around 28:20...

Sunday, January 16, 2011

1/16 Mark Steel Lecture on Beethoven

I feel like I've featured lots of concerts in recent "weekend editions" (as well as in Wednesday's bonanza) so today is something different again.  Here's a really funny documentary/lecture on Beethoven by comedian Mark Steel.  So rare to find something actually funny and yet honest about LvB...(28 minutes).
Watch Mark Steel on Beethoven


In case my Veoh vid above gets deleted you can find this on Youtube in decidedly grungier quality  HERE.

Saturday, January 15, 2011

1/15 Quartet with Obbligato Dancers

(animated gif courtesy nostringsattached.com.au)
Here's a fascinating program about a dance program collaborating with a string quartet.  The quartet is Beethoven's 1st, Opus 18 No 1, and the dance choreographer is Allyson Green working with a group based in San Diego CA.  Beethoven wrote an orchestral score for ballet, "The Creatures of Prometheus" - but I don't think he ever envisioned one of his string quartets being accompanied in this way.  I was a bit skeptical at first but after 10 or 15 minutes I started getting into it.The program starts with a "making of" and the quartet performance starts around the 22 minute mark

"This documentary explores acclaimed choreographer Allyson Green's creation of a new dance work, set to Beethoven's String Quartet in F-Major, Op. 18, No. 1. Green's project collaborators include the creme-de-la-creme of San Diego area dancers, and four musicians drawn from SummerFest's Young Artists Program. Series: "La Jolla Music Society: SummerFest" [10/2005] [Arts and Music] [Show ID: 11134]"
String Quartet 1 in F, Op.18, No.1 (1800)

Sunday, December 12, 2010

12/12 Remembering Jacqueline du Pré

Jacqueline du Pré was a brilliant cellist who sadly was laid low at a relatively early age from sickness.  I first heard her on Elgar's Cello Concerto and I remember thinking. "who IS this?".  Ms. du Pré recorded B.'s 5 Cello Sonatas as well as some of his Piano Trios (such as the Ghost Trio which I posted about earlier this week).  However here is a documentary I just stumbled across about her and which features some fine performance footage of several different works and composers besides Cello Sonata Op.69 and the Ghost Trio...


Update: Sadly Remembering Jacqueline du  Pré has been deleted - instead check out:

Also THIS POST has alot of Ms. du Pre.



More about Jacqueline du Pré HERE.

Monday, December 6, 2010

12/6 Schubert Loses his Cool. Trout. Ghost..

The famous composer Franz Schubert was a big fan of Beethoven's.  Here are some interesting reports of his relationship with Beethoven according to Anton Schindler:
It was a dark day for Franz Schubert when, in 1822, he called on Beethoven to present a copy of the Piano Variations for Four Hands which he had dedicated to the master. Despite the company of Diabelli, who acted as the interpreter of Schubert’s sentiments for the master at the meeting, the shy and taciturn young composer played a role disagreeable to everyone including himself. His courage, which had held fast as far as the house, deserted him completely at the sight of His Musical Majesty. And when Beethoven expressed the wish that Schubert himself should write down the answers to his questions, the latter’s hand seemed to be chained. Beethoven looked through the copy hastily and came across an error in the harmony. He drew the young man’s attention to it with kindly words, adding immediately that it was not a mortal sin. Schubert, however, was utterly disconcerted now, perhaps as a result of Beethoven’s soothing remark. Not until he had left the house did he pull himself together, and then he cursed himself in the most common terms. He never had the courage to try to make the master’s acquaintance again.

Since the illness, to which Beethoven finally succumbed after four months’ suffering, made his customary artistic activity impossible from the time it began, we had to think of some diversion for him in keeping with his intellect and his interests. And so it happened that I showed him a collection of Schubert’s songs, about 60 in number, many of which were then still in manuscript. It was not my sole purpose to provide him with pleasant entertainment, but rather to give him the opportunity of becoming acquainted with the real Schubert, of forming a favourable opinion of his talent, which had been made suspect for him by those exalted beings who have doubtless done the same for others of their contemporaries. The great master, who until that time had known less than half a dozen of Schubert’s songs, was astonished at their number and could not be made to believe that Schubert had by then [February 1827] already written more than five hundred. But if he was astounded at the number, he was even more amazed when he came to know their content. For several days he could hardly put them down, and every day he spent hours at a time with Iphigenia’s monologue, the Grenzen der Menschheit, Allmacht, the Young Nun, Viola, the Mullerlieder and others. Again and again he cried out enthusiastically, ‘Truly, there is a divine spark in Schubert!’-- ‘If I had had this poem I would have set it to music too!’ he said of most of the poems, the subject and content of which, together with Schubert’s original setting, he could not praise enough .... In short, Beethoven gained such great respect for Schubert’s talent that he now wanted to see his operas and piano pieces too; but his illness had advanced to the point where he could no longer satisfy that desire. But he spoke often of Schubert, prophesying that ‘he will cause a stir in the world,’ and regretting that he had not corne to know him earlier.

And here's a letter from Anselm Huttenbrenner to "Professor Luib":
I know for certain that Professor Schindler, Schubert and I paid a visit to Beethoven’s bedside roughly a week before he died. Schindler announced us both and asked Beethoven which one of us he wished to see first. Beethoven answered, ‘Let Schubert come in first’.
(Kersr 1, 276. TDR V, 480)

Well, here's a nice 55 minute documentary/concert about performing Schubert's "Trout" Quintet with  Itzhak Perlman, Daniel Barenboim, Jacqueline Du Pré, Zubin Mehta and Pinchas Zukerman (I can't believe how YOUNG they look!).
https://www.youtube.com/watch?v=ZZdXoER96is

And now segueing back to Beethoven - here's some of the same people performing Beethoven's "Ghost" Trio...
Jacqueline du Pré, cello
Pinchas Zukerman, violin
Daniel Barenboim, piano
Piano Trio 5 in D, Op.70, No. 1 "Ghost" (1808)


More about the Ghost Trio in previous posts HERE and HERE.
Today's post has some longer video features which I would normally save for a weekend post but...how often does one get to put 'Schubert', 'trout' and 'ghost' in one post header ;) .