For some reason I really enjoy listening to Glenn Gould talk - probably even more than listening to him play! ...Then again I'd rather listen to his Beethoven piano sonatas again before re-hearing one of his "interviews" - no longevity is apparently the problem.
This recent discovery on YT was a fun listen though, "Glenn Gould: Concert Dropout".
From the cover it says:
Partial Agenda: The Concert is Dead The Only Excuse for Recording is to Do it Differently The Great Get-Sibelius Plot Exposed A Live Audience is a Great Liability Petula Clark's Songs are in the Post-Mendelssohn Tradition Why I Sing Along Electronic Music is the Future
Apparently this was a largely scripted and edited affair - but it still answers a great many questions about Gould's later view on life and music.
This record is followed by "At Home with Glenn Gould" which was recorded while Gould was still playing live concerts - maybe this one was "real" since I found it far less interesting...
Pt 1-6: Glenn Gould: Concert Dropout (54 min)
Pt 7-15: At Home with Glenn Gould (1 hr 17 min)
And here we have an excerpt of Glenn Gould performing to "no one" and re-interpreting Liszt reinterpreting Beethoven's Pastoral Symohony - this seems to encapsulate everything Gould talks about in the interview, right?
Actually it's Urian's Journey Around the World.
One of the interesting songs Beethoven set to music in his early days was "Urians Reise um die Welt (Urian's voyage round the world)", the first song in the 8 Lieder Op.52 (1793?). Around this time Beethoven had recently left Bonn to visit Vienna for the first time (1792), and soon undertook several concert tours through Prague, Dresden, Leipzig and Berlin (1796). Perhaps these experiences motivated him to put such a "light" piece to music...or the other way around.
Basically the text is 14 refrains of "Urian" telling the story of his travels to the North Pole, Africa, China, America, Mexico, Tahiti, etc...and how everyone is as foolish as the people back home :). When I first heard this song I thought it was kind of repetitive - until I read the translated text...a very big help to the enjoyment of this song!
Watch this video I threw together for the full text in German and English and have a sing-along..
..sorry if the text is a bit blurry - too many lyrics to type out! Watch at 480p if you can.
Finally, everytime I hear about a music "journey around the world" I always flash back to my days as a Stockhausen fan and listening to his avant-garde opera "Licht". He has a piece called Michael's Journey Around the World. Is it possible he cribbed from Beethoven? Here's a blog with video..interesting stuff but not for the faint of heart...
Around the 200th birthday of B in 1970 there were tributes from many different people, but none so confrontational as those gestures by Mauricio Kagel and Karlheinz Stockhausen. In fact Kagel declared that there should be a ban on playing Beethoven for a few years. What a way to send a guy off! (His intentions were good though, he felt that B's music had so pervaded our musical conciousness that the revolutionary impact of his music was dulled.)
Stockhausen was a true 'bad boy' of even the avant garde. He started out with serialism, moved into electronic tape, free improvisation, theater performance, opera, even helicopters. But in his work "Beethoven Opus 1970" he did a tribute to Beethoven (who he genuinely respected). In this work musicians performed a version of Stockhausen's "Kurzwellen", but instead of using random radio signals as musical cues, he used recordings of Beethoven's music. The musicians would improvise against the musical excerpts according to the score instructions and Stockhausen would do live manipulation of the audio signal. Stockhausen is controversial. I would love to see a daily blog about Stockhausen, it's such a huge subject.
Personally, I think the idea sounds better than the actual realization, and perhaps Stockhausen in retrospect felt the same way. When he started his own record label and released a complete edition of his works, he decided to exclude only one work, this one. It has never been released on CD in any form.
Mauricio Kagel's work is harder to pin down. He is probably best known for his "theatrical" gestures rather than any kind of compositional formula. Some interesting works include "Acustica" (electronic tape music with homemade mechanical instruments) and "Exotica" (ethnic instruments performed without training by classically trained European musicians). His work tends to have political overtones as well. A few years ago I saw a performance of his which consisted of the orchestra being taken hostage in a terrorist attack. I think it was shortly after 9/11. In his piece "Ludwig Van", the musicians in a chamber group play excerpts from Beethoven's music which have fallen on the floor. The pages are scattered around the room and they play whatever music their eye happens to fall upon. The most interesting aspect of the piece to me is not the randomness of the music but rather the unusual instrument arrangements that occur - in other words when the 'wrong' instruments play a part from a symphony. There are actually variations of this work but I just can't remember what they were, sorry. If you are curious he gives a big talk on the piece here.
Listen to an excerpt of "Ludwig Van" from the Deutche Grammophone release below.
Kagel also made a film called "ludwig van" which was re-screened in NYC during a Kagel film festival several years ago. It consists of a single camera POV from Beethoven himself if he visited the world of 1970. He visits the Beethoven museum in Bonn, a record store....later there is footage of a panel of Beethoven experts, one of which is Kagel himself. At the end there is a performance of the Pathetique piano sonata by various animal puppets. Alternately absurd and vaguely disturbing. Sometimes the music from the film is mistaken for the music composition, but it is not. It's confusing to research.
So there you have it, some of the oddest Beethoven "interpretations" on record (no pun intended). Get your samplers and ring modulators ready for the 250th anniversary in 2020...
