|
(the 18th century Bohemian look?) |
When I first listened through the complete works of Beethoven, I was struck several times by how several times, especially in his piano music, he evokes a kind of rhythmic syncopation with a swing-ey bass line which undeniably pre-echoes 20th century jazz or "ragtime". I don't think anyone could say Beethoven "invented" jazz, but it's pretty amazing that his soundworld could encompass elements which would not truly reach fruition until more than a hundred years later...Here's a couple "jazzy" places I can recall, though there are several more I'm sure...
Diabelli Variations Op.120 (1823) Variation #16 (Maria Yudina). Some jazzy basslines...
Diabelli Variation #27 (Maria Yudina again).
Piano Concerto 1 (1797), 3rd Movement at around 2:33, as performed by Martha Argerich and Seiji Ozawa has a pretty ragtimey section.... (The full concerto was
previously posted.)
And finally Piano Sonata 32, Op.111 (1822), an excerpt from the 2nd movement by Maurizio Pollini, 1973. There is a kind of back-beat here...
Andras Schiff however takes exception.
I think the first variation on 'A Madel, ja a Madel', op. 107 N. 5, is very jazzy too...
ReplyDeleteI've always thought that the middle part (in C minor) of the rondo of Piano Concerto 1 had something Brazilian. Maybe you're right, and Beethoven had in mind ragtime rather than samba ;)
wow - you're right "anonymous" - the 1st variation IS quite jazzy - thanks!
ReplyDeletehttp://www.youtube.com/watch?v=1k-iW_V1HOw
(1st var at 1 minute mark)
Great reading your blog posst
ReplyDelete