11/3 Symphony No. 3 "Eroica", Pt 2 (Analysis, Järvi)

My analysis of Beethoven's 3rd Symphony "Eroica" as performed by Paavo Järvi and the Deutsche Kammerphilharmonie Bremen continues with Movement 2, the Funeral March:

Part 1 - Funeral March (C minor)

A - March theme

A1 - expansion of theme (oboe)

B - Eb Major theme lightens the mood, before relapse into seriousness, leading to Open Cadence

A

B1

A

Codetta into Open Cadence

Part 2 "Redemption" in C Major

Redemption Theme

Redemption theme development

Heavy mood returns leading to Open Cadence

Part 3 Funeral March with Fugue interlude

A

Fugue section - subject based on inverted B motif

Fugue reaches a breaking point - leasing into an Open Cadence

March returns, briefly - before it is sabotaged by low attacks

Part 4 - Funeral March (3rd time)

A

B

Codetta - Deceptive Cadence

Part 5 - Coda - starts with string ticks...

Redemption theme variation

Redemption theme disintegrates into march

Final march iteration

Movement 3, Scherzo/Trio:

Movement III

SCHERZO

Introduction - duple string chatter

A - Scherzo theme in Bb Major

A - in F Major, Chatter reduces to low staccatos

A - small then big

B - Syncopations in Eb

Cadence phrase leads to Open Cadence

Scherzo repeat, 2nd time Cadence phrase leads to Closed Cadence

TRIO

C - winds theme

D - rustic

C1

D (repeat)

C1 (repeat)

SCHERZO (return)

Coda

(Analysed with the assistance of Robert Greenberg's Teaching Company Wordscore guide. I differed from his analysis here and there but the section breaks are pretty close to his)

Finale tomorrow...