Monday, November 1, 2010

11/1 Clementi: Beethoven's Favorite Pianist

It's well-known that Beethoven regarded Handel, Bach and Mozart very highly as composers, but his favorite composer for piano was Muzio Clementi (1752-1832).  In fact Beethoven wanted his nephew Karl to learn Clementi sonatas for his piano instruction.  Beethoven was quoted as saying "They who thoroughly study Clementi, at the same time make themselves acquainted with Mozart and other composers; but the converse is not the fact".  Ironically Clementi was Mozart's "arch-enemy" and apparently dueled Mozart to a draw on one occasion.

From Wikipedia:
On 12 January 1782, Mozart wrote to his father: "Clementi plays well, as far as execution with the right hand goes. His greatest strength lies in his passages in 3rds. Apart from that, he has not a kreuzer’s worth of taste or feeling - in short he is a mere mechanicus" (Latin for automaton or robot). In a subsequent letter, Mozart wrote: "Clementi is a charlatan, like all Italians. He marks a piece presto but plays only allegro."

The main theme of Clementi's B-Flat Major sonata (op. 24, no. 2), however, captured Mozart's imagination. Ten years later, in 1791, Mozart used it in the overture to his opera Die Zauberflöte (The Magic Flute). This so embittered Clementi that every time this sonata was published, he made certain that it included a note explaining that it had been written ten years before Mozart began writing Zauberflöte.

Clementi Piano
Clementi also expanded his expertise into piano development (The "Clementi Piano") and music publishing and helped spread Beethoven's music in England.

Though he composed symphonies as well, he's still most famous for his piano sonatas (over 150 - some for the harpsichord, actually).  These were often found on Beethoven's musicstand.  Clementi also composed "Gradus ad Parnassum" Op. 44, which is a series of 100 short pieces for the development of piano technique.  Personally these are a bit dry for my tastes but they are very impressive.  As far as the sonatas, Schindler writes: "Among all the masters who have written for pianoforte, Beethoven assigned to Clementi the very foremost rank. He considered his works excellent as studies for practice, for the formation of a pure taste, and as truly beautiful subjects for performance".

Here's Clementi's Sonata in F, Op 33 No 2 II mov Allegro con fuoco:


Muzio Clementi Wiki
Clementi Society
Clementi Site

1 comment:

  1. Mozart was not the most generous of commentators on other musicians; I have long suspected that his bile towards Clementi stems from the fact that Clementi and he were judged to be equals, a fact which he could only acknowledge by being very rude about Clementi behind his back (and then plagiarising his music). When you play Clementi, however, it's striking how many very Beethovenian moments there are: Clementi was unquestionably more advanced technically and forward-looking harmonically than Mozart.

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